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Linda
Kelen- Wisconsin USA
Printmaking is new to me but has a growing presence
in my arting. Moku Hanga is simply addicting. I post
as I print. |
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Marisa
Keller- Singapore
Etchings, Woodcuts, Monotypes, Paintings and Installations
of Dutch artist and printmaker Marisa Keller.
She lives and works in Singapore and teaches printmaking
part-time at the art college.
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K.
Jordan Kelly - New York, USA
Primarily relief and intaglio prints. I consider myself
a visual storyteller attempting to use one image that
engages an audience and evokes an emotion. |
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Barbara
Kelley - California, USA
Barbara is a printmaker, primarily monoprints, drypoint
engravings and linocuts. She frequently incorporates
found objects in prints. Her studio is located just
a few hours north of San Francisco on the California
coast |
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Carol
Lynn Kirchner - Washington, USA
I am a traditional printmaker. Etched, engraved, mezzotint,
linocut, wood engraved, or a combination of techniques.
The subject of my work is often realistic, has some
sort of story or reason to exist. |
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Matthias
Klemm - Germany
Lithography, monotype and handmade offset prints,
among other non-printmaking art types |
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John
Koch- Wisconsin, USA
Offers Woodcuts, Paintings and Stories.
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Peter
Kocak - Slovakia, EU
Manly dry points on copper, zink, aluminium, some
more colours used often,figural,erotical,and abstract
motives too,some linocuts,woodcuts,mezzotints too,
mainly Ex librises created some 400 items finished
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Caroline
Koenders - Beek-Ubbergen, Netherlands
As a printmaker I am specialized in mezzotint. But
all non-toxic printmaking techniques have my interest.
I like to experiment with unorthodox sizes and techniques.
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Damon
Kowarsky- Victoria, Australia
Etchings on copper, mainly, with aquatint and scraper
and all the other side effects of process and intention.
Almost always figuration. People, and the objects
that surround them. |
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Gary
Krueger- Rielasingen, Germany
Traditional Photogravure.
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Sandra
Kruisbrink - Amsterdam, Netherlands
I make mostley lithography.
I'm drawing, making landscapes and play with the different
perspectives.
The perception alternates between the long and the
short view, between the large and the small and there
is a continual interchange of distance and perspective |
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